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A guy, Frank, on a self-destructive path. A girl, Mali, with an expiration date. What a perfect time to meet and fall in love.
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Mitch是一个专门在海边用吸食大麻来引诱女孩的家伙，而他的好朋友Joe是个多愁善感的人，不喜欢单纯的性所带来的压力。但是有一次偷看到外面一对情侣亲热让他产生了追求真爱的想法……影评:一部为了冲击票房的影片，现在已经很难找到这么出色的作品了。本片片名是借用了RobertMulligan的“42年的夏天”，我们可以从中看到很多让人兴奋不已的惊喜。首先是演员，AnnetteHaven是来自令人过目不忘的“温柔乡”中的明星，在本片她扮演一位遇到了一个温顺又没有安全感男孩的中年女人，他们有一场爱情戏表演的非常有激情，就好像演员们真正了解剧情的精髓一样，但是不幸的是，我们现在已经再也看不到这样优秀的影片了。如果你不喜欢怀旧类的，那可以关掉这个页面了！这部影片是成千上万部让人乏味的情色作品中的例外。
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
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在上帝創造人類之前，上帝和天使同住在天堂。當天使看到上帝多麼喜愛他的最新創作：人類。有些天使開始心生忌妒，於是在路西法率領之下反抗上帝，淪落到人間，稱為「墮落天使」。他們煽動人類犯罪，因為罪孽越深，就能使他們得到更大的力量，最終計畫是消滅人類。於是上帝派遣善良的天使到人間幫助人類。拉菲爾原是墮落天使的一員，卻不小心與人類女孩墜入情網，人神相戀是絕對禁忌，下場將是墜入無盡深淵的地獄，他該如何抉擇呢？
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克里斯与西塞莉是一对年轻的爱人，一个是国际记者，一个是剧场演员，他们挣扎于要兼顾爱情还是要冲刺事业中，爱得很深，又非常骄傲，两个常年分居，独自生活……（by波迪与鹅）在纽约，新秀新闻记者克里斯托弗·“克里斯”·泰勒梦想成为一名著名记者。当他的女朋友西塞莉和他相处了几天后，他们决定结婚，西塞莉离开了大学。克里斯最好的朋友汤米·阿博特是他的伴郎，并成为了家人的朋友。当克里斯的编辑弗兰克·卡特雷特派他到罗马担任驻外记者时，他得到了很好的机会。西西莉和汤米留在纽约，没有告诉克里斯她怀孕了。当她生下婴儿基特时，克里斯庆祝并失去了一个大独家新闻，他的老板解雇了他。克里斯名誉扫地，夫妻俩陷入经济困难；然而，汤米借钱给西塞莉，并提供了一个作为演员登上舞台的机会。西塞莉被雇用并取得了成功，克里斯对这种情况感到沮丧。西塞利找到弗兰克·卡特雷特并解释了情况，他向克里斯提供了一个在俄罗斯的工作机会。他接受了这份工作，但西塞莉和他们的儿子留在纽约......《来生再爱》（Next Time We Love）是一部于1936年上映的美国浪漫剧情电影，由Edward H. Griffith执导。该片由Melville Baker和乌苏拉·帕罗特共同编剧，主要演员包括玛格里特·苏利文、詹姆斯·斯图尔特和雷·米兰德。故事围绕着一对年轻夫妇展开，他们面临着事业和个人抉择的挑战。凯蒂（Kitty，玛格里特·苏利文饰）是一位年轻的记者，她在一个重要的新闻社工作。她渴望获得职业上的成功，但与此同时，她与丈夫克里斯（Chris，詹姆斯·斯图尔特饰）的关系也受到了影响。克里斯是一位年轻的大学教师，他渴望在学术界取得突破。然而，他的职业前途和凯蒂的事业目标之间产生了冲突。克里斯接受了一份新的教职工作，这将使他们离开彼此的身边。他们面临着一个艰难的选择：追求事业还是保持彼此的爱情。《来生再爱》探索了事业与个人关系之间的平衡，同时描绘了夫妻之间的爱情和牺牲。电影展现了两位主角在面对职业机遇时的挣扎和内心冲突。观众将见证他们的爱情经历起伏，同时也感受到他们为了保持爱情而做出的牺牲。玛格里特·苏利文和詹姆斯·斯图尔特在片中呈现了出色的表演，他们共同展现了凯蒂和克里斯之间的情感纠葛和成长。雷·米兰德在片中饰演凯蒂的好友，为故事增添了一丝喜剧色彩。
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《植物的欲望》改编自迈克尔·普兰（Michael Pollan）的同名著作。 本片讲述了四种日常生活中常见的植物以及它们如何让人类喜欢它们的故事。1983年，迈克尔·普兰与他的妻子离开纽约城，到一个被遗弃的奶牛场定居。普兰幼时一直对园艺十分着迷，再加上他对自己把握自然的能力深信不疑，他开始开垦自己的花园。那时的他还不知道这一行动最终促使他开始重新思考人与植物的关系，也成就了他的《植物的欲望》这本书成为书架上的畅销货。本片将带领观众走遍全世界，从位于秘鲁和美国爱达荷州的马铃薯菜园到哈萨克的苹果林，从阿姆斯特丹的郁金香市场到美国的医用大麻的培养室，探寻马铃薯、苹果、郁金香以及大麻的自然史，得出结论：人类对它们的渴望使它们的命运与我们息息相关。本片由迈克尔·施瓦茨（Michael Schwarz）执导。《植物的欲望》（The Botany of Desire）是一部于2009年上映的纪录片，由Michael Schwarz和Edward Gray共同执导。影片主要由迈克尔·波伦和弗兰西斯·麦克多蒙德主演。该纪录片基于迈克尔·波伦的同名畅销书改编，通过植物与人类之间的相互关系，探索了植物和人类的欲望之间的共生关系。影片通过四个不同的植物故事展示了这种关系：苹果、玫瑰、大麻和土豆。在每个故事中，观众可以看到植物如何通过迷人的外观、香味、味道和药用特性吸引人类，并塑造了人类对植物的欲望。反过来，人类的欲望也塑造了这些植物的演化和传播方式。影片深入探讨了植物的生态学、进化和人类文化的交织关系。它揭示了植物如何利用人类的需求来推动自身的繁衍和传播，同时也探讨了人类如何被植物所影响和塑造。《植物的欲望》通过生动的图像、精彩的叙述和深入的研究，向观众展示了植物世界的奇妙之处。它引发了对人与自然关系的深思，并提出了关于植物、人类和生态系统之间复杂互动的重要问题。这部纪录片不仅向观众展示了植物的智慧和魅力，同时也呼吁人们对自然界的保护和尊重。通过探索植物的欲望和人类的渴望，它为我们重新思考与自然世界的关系提供了有趣而深刻的观点。
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六个同学兼好友：马克（AlanRitchson饰）、瑞秋（CatherineWreford饰）、利兹（TiffanyKristensen饰）、亚特兰塔（AshleyRebeccaHawkins饰）、苏菲（MyieaCoy饰）和亚当（TomNagel饰）结伴开车去拉斯韦加斯游玩。自负的马克坚持走捷径，结果一个女人突然出现路中央，导致一场严重车祸发生。利兹当场死亡，其他人不同程度受伤。经过商量，众人留下惶恐的亚特兰塔照看利兹的尸体，其他人离开寻求援助。所谓祸不单行，众人来到一所居住着变态杀人狂的房子，才刚从车祸中生还的年轻人，又要面临新的死亡威胁……
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这部音乐剧DVD取材于耶稣的生平事迹，韦伯创新地将严肃的宗教故事和前卫的摇滚音乐联系起来，是一部艺术表现非常大胆、思想性也极为深刻的作品。如果说《约瑟夫与神奇彩衣》是对圣经故事的图解，那么《万世巨星》从表面上看简直就是对传统的颠覆与反动：上帝的儿子耶稣不再时刻带着圣哲的光环，他有软弱，有动摇，更多的人性代替了神性；犹大卖主也不是出自贪婪，而是出自上帝安排的命运，自杀后的犹大穿着白袍带领一个天使唱诗班向耶稣提出几个哲学问题，耶稣竟然也不知道答案。细心的读者不难看出这样的情节安排和电影《耶稣基督的最后诱惑》的相似之处，与后者一样，该剧刚一推出，便遭到了正统宗教人士的强烈抗议，这反而增加了它的知名度，其插曲《我不知如何爱他》(Idon\’tknowhowtoloveHim)、《万世巨星》(Superstar)长时间徘徊在各大唱片排行榜上。笔者感觉此剧的本意和《耶稣基督的最后诱惑》一样，并不在于离经叛道，而是通过曲折的形式表现殉道者对神的服从，因为在该剧的最后，耶稣依照神的安排为人类的罪舍身又复活，并在原谅了他的敌人后升天而去。如果你对基督教有较深了解的话，相信该剧还是能够给你一些不同角度的思考。当然，撇开背景不谈，即便单单作为一出摇滚音乐剧来欣赏，这盘DVD也是不容错过的。该剧的另一个版本是1973年由环球影片公司出品的同名电影。式圣经片给人更亲切的感觉。安德鲁．莱特韦伯创作的插曲优美动听，全片摄影和剪接都具一流水准。
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《太空堡垒卡拉狄加：计划》的剧情讲述的是电视剧中没有交代过的一些事情，故事集中在几个未暴露身份的Cylon身上，将以Cylon人自己的视角，来阐述Cylon对人类实施核灭族的动机和观点。