一种病毒爆发，一场令人毛骨悚然的大屠杀在蒙得维的亚街头肆虐。病人变成了猎人，只能通过肆无忌惮地杀死所有尚未感染的人来平息他们的发烧。没有意识到这一点，爱丽丝和她的女儿在爱丽丝担任保安的体育俱乐部度过了一天。当夜幕降临时，一场毫无怜悯的战斗即将开始。当他们发现每次攻击后被感染者似乎在再次冲锋之前都有32秒的平静时间时，拯救的希望就来了。

AchamberorchestraisworkingoutofarundowntheatreinReykjavik.Financialhardshipplacesagreatstrainonthebandandtheleadviolinist,Sigrun.Theannualgrantfromthecityiscomingtoanendsothebandhiresaworldrenownedcellistinordertosavetheband.Themediagoeswildandmoneystartstoflowtothebandagain.Toobadthecellistisnotaveryniceperson–heisquitetheassgrabberandatwofacedcheater.Toolatetofirethestarandthegrandconcertthatwillsavethebandisabouttobeginwhenthecellistchokestodeath–15minutesbeforetheconcert.Thebanddecidestoriskitallandplaytheconcertwithadeadsoloartist–notreallythinkingabouthowtoendsuchamacabreshow.

Follows a Chicago investigator who travels to Scotland after a new serial killer commits crimes that match those that he looked into five years previously, one of which was the scene of his slain girlfriend's death.

十九世纪的洛杉矶，总督路易斯.伯拿莎利奥（Jude Farese 裘德 bull;弗雷斯 饰）专横跋扈，鱼肉乡民，在其残酷统治之下的百姓叫苦连天，哀鸿遍野。 居住在城里的贵族青年唐 bull;迪亚哥（Douglas Frey 道格拉斯 bull;弗雷 饰）是一名正义感十足的剑术高手，他不满总督的行径，决心化身侠客惩恶扬善。白天迪亚哥是娇柔华贵的贵族公子，晚上则变成帅气潇洒的侠客佐罗。当然，这个佐罗和我们认识的佐罗有所不同，对于头怀送抱的美女他不但来者不拒，而且也从不放过任何卡油的机会。这个;革命、生产 rdquo;两不误的英雄在小镇上上演了连场好戏 hellip; hellip; 　　

有钱夫妇平时喜欢玩一些有关于性的游戏来增加他们的性生活乐趣。但当他们遇到另外一对比较保守的夫妻，则需要更加努力去制定新的性游戏规则，来取悦新的伴侣。简而言之，这对夫妇的性玩乐变得更具有挑战性了@优质资源库

Alan Binder is a skillful hostage negotiator, the best in Mexico, who will soon face the most crucial case of his career when the President and his lover are kidnapped. The kidnapper demands to negotiate only with him.

讲述了凯特·劳森（Kate Lawson）因涉嫌谋杀侄女而受审的故事，以及十二名陪审员如何将他们的个人生活和偏见带入法庭

本剧聚焦英国可耻的工党内阁大臣John Stonehouse，讲述他的人生和所处时代的故事。Matthew Macfadyen饰演John，Keeley Hawes饰演其妻子Barbara。故事讲述...

Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

葡萄牙电影，入围2017悉尼电影节。幽深的失魂森林，是葡萄牙的自杀胜地。某天，一个想要自杀的老人，遇见了同样求死的女孩。老人和女孩，各自敞开心扉，在赴死的边缘犹豫。接着，画风骤转，女孩把老人切腹，大开杀戒。贯穿全片的一句话是梵高的“悲伤永驻”。