搜索"Thompson" ,找到 部影视作品

旺达在哪里
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为了救回你的孩子,你愿意走多远?对于卡洛塔和德多来说,答案很明确。他们曾经是一个普通的家庭,女儿旺达在几个月前无声无息地消失,但等了几个月都没有等到警方把女儿带回来,他们决定自己动手。精通技术的儿子奥勒帮助他们获得了一些监控设备,他们伪装成电力公司员工,先是窃听了邻居,然后是半个郊区,发现在关起门来的背后,邻居们都不是表面上的样子。
保利娜
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Pauline follows the eponymous protagonist, an 18-year-old who accidentally becomes pregnant – from a one-night stand. With school stress, the climate crisis and the downfall of society weighing heavily on her mind, something she doesn’t need at all right now is catching feelings, especially not for her one-night stand Lukas, who, as it turns out, is the devil himself.
仙境
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Followingthesuddenandtragicdeathofhermother,youngAlysiaisuprootedbyherfatherSteveinhopesofrestartinghislife.Theymoveto1970sSanFranciscowhereStevedevelopshispoeticandpersonalwritingandbeginstoopenlydatemen.Steve’sbohemianlifestyleclasheswiththeexpectationsofparenthoodfromboththeoutsideworldandAlysiaherself,whooccasionallywishesforlessoftheindependenceherfathergivesher.AsAlysiagrowsintoayoungwomanonthecuspofadulthood,theirbondsanddutytoeachotheraretestedinpainfulandsuddenways.BasedonAlysiaAbbott’s2013memoirandelegantlytoldbywriter-directorAndrewDurhaminhisdebutfeature,Fairylandisafilmaboutafamilyuniqueforitstimebutinstantlyrecognizable.ActorsScootMcNairyandEmiliaJonesbeautifullycapturethecomplexmixoffealty,embarrassment,andpridethatarepartofanyfather-daughterrelationship,butespeciallyonesetin1970sand’80sSanFranciscowithitsindeliblelegacyoflossandlove.源自:https://festival.sundance.org/program/film/638a1a0ad406b202a4f2d31a
爆裂少女
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An intense drama about two young women desperate to escape their repressive small town, whose friendship is challenged after a night of debauchery threatens to undo their grand plans for freedom.
外星恶客
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Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.  The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).  Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.  The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.  This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
地狱猫
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一个堕落的综合格斗女拳王无意中来到一个类似阴曹地府的未知空间,在那里她必须赢得多场不受限制的死亡比武,她的对手既有人类也有各种野兽甚至恶魔,最终她能否拯救自己的灵魂涅槃重生?
大脑中的猫
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居住在意大利的卢西奥·弗尔兹(卢西奥·弗尔兹饰,也是本片导演兼编剧)脑子时常会有谋杀案的场景出现,于是他边去拜访了一位心理医生(大卫·L·汤普森饰),两人一起寻找答案,结果却发现事情远远不是如他们所想的那么简单……
一曲倾情
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安妮·海瑟薇饰演的年轻女子因为弟弟的意外而回到纽约担负起照顾他的责任。不料却和弟弟最喜欢的音乐人之间发展出一段情缘。本片集合了爱情、音乐等年轻人喜闻乐见的元素,是一部偏文艺向的爱情片。
格斗之王 2
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这次说的是天界恶魔要打通阴阳道,这样一来,能帮助人间勇士的天神亦无计可施,天地格斗大赛的地上一方只有依靠自己的力量,与魔鬼进行一场生死搏斗。期限无多,凡间的斗士怎样才能迅速充实自己的力量呢?
双重生活
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《双重生活》是1947年上映的美国犯罪剧情片,由乔治·库克执导,罗纳德·考尔曼、Signe Hasso 等主演。影片讲述了才华横溢的表演艺术家安托尼成功的扮演了许多角色,可是到了老年功成名就的时候却找不到自己,他迷失在黑色的舞台上。他怀疑,猜忌,神经过敏,他在演死亡之吻的时候迷失在奥赛罗的险影里,黑暗中总有一股力量把他推向困惑的边缘。才华横溢的表演艺术家安托尼成功的扮演了许多角色,可是到了老年功成名就的时候却找不到自己,他迷失在黑色的舞台上。他怀疑,猜忌,神经过敏,他在演死亡之吻的时候迷失在奥赛罗的险影里,黑暗中总有一股力量把他推向困惑的边缘。安东尼·约翰是一位演员,他的生活深受他所扮演的角色的影响。当他演喜剧时,他是世界上最有趣的人,但当他演戏剧时,他就不可能在身边。和他在一起太可怕了。这就是他的妻子布丽塔与他离婚的原因:虽然她爱他并且仍然和他一起工作,但她无法再忍受和他住在一起了。因此,当安东尼扮演奥赛罗这个角色时,他全身心地投入到这个角色中,但很快他就不知所措了。随着时间一天天过去,奥赛罗的嫉妒心越来越充满他的脑海。